Faculty member Sue Huang featured in Creative Capital’s On Our Radar 2020

May 3, 2020

The project Freshkills in Eight Movements, by faculty member Sue Huang and collaborator Brian House, is featured in Creative Capital’s On Our Radar 2020. On Our Radar 2020 features noteworthy projects in all disciplines that advanced to the final round in the competitive selection process for the Creative Capital Award. During each award cycle, Creative Capital has the great privilege of learning about a wealth of exciting artists’ projects. By promoting projects “on our radar” to people who are passionate about the arts, we can help forge connections that lead to new avenues of support and collaborative opportunities. We invite you to explore projects featured in On Our Radar, and follow links to artists’ websites to find out more about how you can get involved making their visions a reality.   

Freshkills in Eight Movements is a sound/video installation that explores the relationship between human and environmental temporalities in a time of climate crisis. The project takes as its starting point New York City’s Freshkills, once known as Fresh Kills Landfill, the largest municipal dump in the world. Currently in the process of a decades-long transformation into a public park, Freshkills is a uniquely liminal space, where our long-term effects on the Earth are palpable. 

House and Huang’s installation emerges from the multitemporal dynamics of this environment—the thousand-year decay of a Styrofoam cup, the multigenerational use of the land by humans, the seasonal cycle of the regenerating vegetation, and the gathering of clouds. Each of these temporal layers is translated into musical notation using municipal and public data, including statistical projections of weather patterns and methane and leachate emissions data from the Department of Sanitation. The resulting eight scores are played by double bassist Robert Black (Bang on a Can All-Stars), whose performances are filmed and later projected onto a labyrinth of screens in an installation space. When heard simultaneously, these performances create a soundscape of data that coalesces multiple temporalities into one immersive experience.